Prospective Students
MASTER OF MUSIC PROGRAM (INTERNATIONAL PROGRAM)
Level | Master's |
Faculty | COLLEGE OF MUSIC |
Website | http://www.music.mahidol.ac.th |
Degree Designation
MASTER OF MUSIC
Major
Admission Requirements
1. Holding a Bachelor degree from an institution, either domestic or international, certified by the Higher Education Commission. (Holders of Bachelor's degrees in any field other than music must demonstrate musical skills in performance at the level of a graduate of Bachelor's degree in music performance. The demonstration is done by an audition) 2. Having cumulative GPA. no fewer than 2.50 3. Having an English Proficiency Examination score as the requirement of the Faculty of Graduate Studies 4. Applicants whose qualifications do not meet the 2.2.2 and 2.2.3 criteria may be considered for admission at the discretion of the M.M. Program Committee and the Dean of the Faculty of Graduate Studies
Curriculum Structure
Plan A2 | |||
Prerequisite Course | No Credit | ||
Core Courses | 2 | Credits | |
Required Courses | 16 | Credits | |
Elective Courses not less than | 6 | Credits | |
Thesis | 12 | Credits | |
Total not less than | 36 | Credits | |
Plan B | |||
Prerequisite Course | No Credit | ||
Core Courses | 2 | Credits | |
Required Courses | 16 | Credits | |
Elective Courses not less than | 12 | Credits | |
Thematic Paper | 6 | Credits | |
Total not less than | 36 | Credits |
Job option after graduation
- Performers/instructors with expertise in classical, jazz or Thai music styles at undergraduate degree and below
- Composers, composition/ music theory instructor at undergraduate degree and below
- Conductors and ensemble director/instructor at undergraduate degree and below
- Collaborative pianist/instructor at undergraduate degree and below
Course Requirements
Plan A2
Prerequisite Courses | Credit | ||
MSCD508 : PRINCIPLES OF CONDUCTING | 2 | ||
MSCD511 : KEYBOARD HARMONY REVIEW | 1 | ||
MSCY521 : PERSPECTIVE OF WESTERN MUSIC HISTORY | 1 | ||
MSCY522 : PERSPECTIVE OF THAI MUSIC HISTORY | 1 | ||
MSJA511 : PERSPECTIVE OF JAZZ HISTORY | 1 | ||
MSJA512 : JAZZ THEORY REVIEW | 1 | ||
MSTC530 : WESTERN MUSIC THEORY REVIEW | 1 | ||
MSTH512 : THAI MUSIC THEORY REVIEW | 1 | ||
Core Courses | Credit | ||
MSMS510 : ARTISTIC RESEARCH IN MUSIC | 1 | ||
MSMS511 : SEMINAR OF ARTISTIC RESEARCH IN MUSIC | 1 | ||
Required Courses | Credit | ||
MUSIC COMPOSITION MAJOR | |||
MSTC503 : COMPOSITION I | 2 | ||
MSTC504 : COMPOSITION II | 2 | ||
MSTC505 : COMPOSITION III | 2 | ||
MSTC506 : COMPOSITION IV | 2 | ||
MSTC518 : ADVANCED ORCHESTRATION | 2 | ||
MSTC524 : MUSIC COMPOSITION PEDAGOGY | 2 | ||
MSTC527 : CONTEMPORARY MUSIC LITERATURE | 2 | ||
MSTC528 : ELECTRONIC COMPOSITION | 2 | ||
MUSIC CONDUCTING MAJOR | |||
MSCD501 : CONDUCTING I | 2 | ||
MSCD502 : CONDUCTING II | 2 | ||
MSCD503 : CONDUCTING III | 2 | ||
MSCD504 : CONDUCTING IV | 2 | ||
MSCD509 : INSTRUMENTAL AND VOCAL TECHNIQUES I | 2 | ||
MSMS581 : MAJOR AREA LITERATURE I | 2 | ||
MSMS588 : MAJOR AREA LITERATURE II | 2 | ||
MSTC525 : SCORE READING | 2 | ||
JAZZ STUDIES MAJOR | |||
MSJA506 : SEMINAR IN JAZZ COMPOSITION AND ARRANGING | 2 | ||
MSJA509 : SEMINAR IN JAZZ IMPROVISATION | 2 | ||
MSMS509 : MAJOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS517 : SMALL ENSEMBLE II | 2 | ||
MSMS552 : MAJOR PERFORMANCE II | 2 | ||
MSMS553 : MAJOR PERFORMANCE III | 2 | ||
MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
MUSIC PERFORMANCE AND PEDAGOGY MAJOR | |||
MSED503 : PRINCIPLES OF MUSIC TEACHING AND LEARNING | 2 | ||
MSMS509 : MAJOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS519 : LARGE ENSEMBLE I | 2 | ||
MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
MSMS552 : MAJOR PERFORMANCE II | 2 | ||
MSMS553 : MAJOR PERFORMANCE III | 2 | ||
MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
MSMS566 : TEACHING PRACTICUM | 2 | ||
COLLABORATIVE PIANO MAJOR | |||
MSPF501 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO I | 2 | ||
MSPF502 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO II | 2 | ||
MSPF503 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO III | 2 | ||
MSPF504 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO IV | 2 | ||
MSPF505 : INSTRUMENTAL ACCOMPANYING SKILLS | 2 | ||
MSPF506 : VOCAL ACCOMPANYING SKILLS | 2 | ||
MSPF507 : CHAMBER MUSIC LITERATURE FOR KEYBOARD | 2 | ||
MSVO505 : ART SONG LITERATURE | 2 | ||
Elective Courses | Credit | ||
MUSIC THEORY GROUP | |||
MSTC529 : SEMINAR ON MUSIC ANALYSIS | 2 | ||
MSCD505 : CHORAL CONDUCTING | 2 | ||
MSCD507 : ORCHESTRAL CONDUCTING | 2 | ||
MSCD510 : INSTRUMENTAL AND VOCAL TECHNIQUES II | 2 | ||
MSCD512 : SYMPHONIES OF BEETHOVEN | 2 | ||
MSCY517 : SEMINAR IN THAI FOLK MUSIC | 2 | ||
MSJA507 : JAZZ PEDAGOGY I | 2 | ||
MSJA508 : JAZZ PEDAGOGY II | 2 | ||
MSJA510 : SURVEY OF JAZZ INSTRUMENTAL TECHNIQUES | 2 | ||
MSMS504 : SEMINAR IN MUSIC | 2 | ||
MSMS505 : SPECIAL TOPIC I | 2 | ||
MSMS506 : SPECIAL TOPIC II | 2 | ||
MSMS507 : INDIVIDUAL STUDY I | 2 | ||
MSMS513 : MINOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS517 : SMALL ENSEMBLE II | 2 | ||
MSMS518 : SMALL ENSEMBLE III | 2 | ||
MSMS519 : LARGE ENSEMBLE I | 2 | ||
MSMS520 : LARGE ENSEMBLE II | 2 | ||
MSMS521 : LARGE ENSEMBLE III | 2 | ||
MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
MSMS528 : PERFORMANCE PEDAGOGY II | 2 | ||
MSMS584 : MINOR PERFORMANCE II | 2 | ||
MSMS587 : MINOR PERFORMANCE III | 2 | ||
MSTC509 : LITERATURE READINGS IN MUSIC THEORY | 2 | ||
MSTC510 : MUSIC THEORY PEDAGOGY I | 2 | ||
MSTC512 : ATONAL ANALYSIS AND SET THEORY ANALYSIS | 2 | ||
MSTC516 : TWENTIETH CENTURY ORCHESTRATION | 2 | ||
MSTC519 : ANALYTICAL MUSIC THEORY | 2 | ||
MSTC522 : SEMINAR IN MUSIC THEORY | 2 | ||
MSTC523 : SEMINAR IN MUSIC COMPOSITION | 2 | ||
MSTH515 : THAI STRING ENSEMBLE PEDAGOGY I | 2 | ||
MSTH516 : THAI STRING ENSEMBLE PEDAGOGY II | 2 | ||
MSTH517 : THAI FOLK MUSIC PEDAGOGY I | 2 | ||
MSTH518 : THAI FOLK MUSIC PEDAGOGY II | 2 | ||
MSTH519 : THAI FOLK MUSIC ENSEMBLE ARRANGEMENT | 2 | ||
MSTR501 : MUSIC AND THEATER I | 2 | ||
MSTR502 : MUSIC AND THEATER II | 2 | ||
MUSIC HISTORY GROUP | |||
MSCY507 : SEMINAR IN MUSIC OF THAILAND | 2 | ||
MSCY511 : EARLY MUSIC | 2 | ||
MSCY512 : COMMON PRACTICE PERIOD MUSIC | 2 | ||
MSCY513 : 20TH AND 21ST CENTURY MUSIC | 2 | ||
MSCY514 : MUSIC HISTORY AND CRITICISM | 2 | ||
MSCY516 : CONTEMPORARY THAI MUSIC | 2 | ||
MSJA505 : ADVANCED JAZZ LITERATURE | 2 | ||
MSMS592 : CHAMBER MUSIC LITERATURE I | 2 | ||
MSMS612 : CHAMBER MUSIC LITERATURE II | 2 | ||
MSTH506 : SEMINAR IN RELIGIOUS AND CEREMONIAL MUSIC | 2 | ||
MSTH513 : HISTORY AND LITERATURE OF THAI TRADITIONAL MUSIC | 2 | ||
MSTH514 : RELATIONS BETWEEN THAI TRADITIONAL MUSIC AND MEKONG RIVER BASIN CULTURES | 2 | ||
MSVO506 : OPERA LITERATURE | 2 | ||
MUSIC THEORY GROUP | |||
MSJA504 : JAZZ STYLES AND ANALYSIS | 2 | ||
MSTC507 : ANALYSIS OF TWENTIETH CENTURY MUSIC | 2 | ||
MSTC513 : HISTORY OF MUSIC THEORY | 2 | ||
MSTC514 : COUNTERPOINT | 2 | ||
MSTC526 : SEMINAR IN 20TH AND 21ST CENTURY MUSIC COMPOSITION AND THEORY | 2 | ||
MSTC532 : ELEMENTS OF SONATA THEORY | 2 | ||
MSTH502 : MELODIC VARIATION IN THAI MUSIC | 2 | ||
MSTH503 : THAI MUSIC ANALYSIS | 2 | ||
Thesis | Credit | ||
MSMS698 : THESIS | 12 |
Plan B
Prerequisite Courses | Credit | ||
MSCD508 : PRINCIPLES OF CONDUCTING | 2 | ||
MSCD511 : KEYBOARD HARMONY REVIEW | 1 | ||
MSCY521 : PERSPECTIVE OF WESTERN MUSIC HISTORY | 1 | ||
MSCY522 : PERSPECTIVE OF THAI MUSIC HISTORY | 1 | ||
MSJA511 : PERSPECTIVE OF JAZZ HISTORY | 1 | ||
MSJA512 : JAZZ THEORY REVIEW | 1 | ||
MSTC530 : WESTERN MUSIC THEORY REVIEW | 1 | ||
MSTH512 : THAI MUSIC THEORY REVIEW | 1 | ||
Core Courses | Credit | ||
MSMS510 : ARTISTIC RESEARCH IN MUSIC | 1 | ||
MSMS511 : SEMINAR OF ARTISTIC RESEARCH IN MUSIC | 1 | ||
Required Courses | Credit | ||
MUSIC COMPOSITION MAJOR | |||
MSTC503 : COMPOSITION I | 2 | ||
MSTC504 : COMPOSITION II | 2 | ||
MSTC505 : COMPOSITION III | 2 | ||
MSTC506 : COMPOSITION IV | 2 | ||
MSTC518 : ADVANCED ORCHESTRATION | 2 | ||
MSTC524 : MUSIC COMPOSITION PEDAGOGY | 2 | ||
MSTC527 : CONTEMPORARY MUSIC LITERATURE | 2 | ||
MSTC528 : ELECTRONIC COMPOSITION | 2 | ||
MUSIC CONDUCTING MAJOR | |||
MSCD501 : CONDUCTING I | 2 | ||
MSCD502 : CONDUCTING II | 2 | ||
MSCD503 : CONDUCTING III | 2 | ||
MSCD504 : CONDUCTING IV | 2 | ||
MSCD509 : INSTRUMENTAL AND VOCAL TECHNIQUES I | 2 | ||
MSMS581 : MAJOR AREA LITERATURE I | 2 | ||
MSMS588 : MAJOR AREA LITERATURE II | 2 | ||
MSTC525 : SCORE READING | 2 | ||
JAZZ STUDIES MAJOR | |||
MSJA506 : SEMINAR IN JAZZ COMPOSITION AND ARRANGING | 2 | ||
MSJA509 : SEMINAR IN JAZZ IMPROVISATION | 2 | ||
MSMS509 : MAJOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS517 : SMALL ENSEMBLE II | 2 | ||
MSMS552 : MAJOR PERFORMANCE II | 2 | ||
MSMS553 : MAJOR PERFORMANCE III | 2 | ||
MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
MUSIC PERFORMANCE AND PEDAGOGY MAJOR | |||
MSED503 : PRINCIPLES OF MUSIC TEACHING AND LEARNING | 2 | ||
MSMS509 : MAJOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS519 : LARGE ENSEMBLE I | 2 | ||
MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
MSMS552 : MAJOR PERFORMANCE II | 2 | ||
MSMS553 : MAJOR PERFORMANCE III | 2 | ||
MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
MSMS566 : TEACHING PRACTICUM | 2 | ||
COLLABORATIVE PIANO MAJOR | |||
MSPF501 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO I | 2 | ||
MSPF502 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO II | 2 | ||
MSPF503 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO III | 2 | ||
MSPF504 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO IV | 2 | ||
MSPF505 : INSTRUMENTAL ACCOMPANYING SKILLS | 2 | ||
MSPF506 : VOCAL ACCOMPANYING SKILLS | 2 | ||
MSPF507 : CHAMBER MUSIC LITERATURE FOR KEYBOARD | 2 | ||
MSVO505 : ART SONG LITERATURE | 2 | ||
Elective Courses | Credit | ||
MUSIC THEORY GROUP | |||
MSTC529 : SEMINAR ON MUSIC ANALYSIS | 2 | ||
MSCD505 : CHORAL CONDUCTING | 2 | ||
MSCD507 : ORCHESTRAL CONDUCTING | 2 | ||
MSCD510 : INSTRUMENTAL AND VOCAL TECHNIQUES II | 2 | ||
MSCD512 : SYMPHONIES OF BEETHOVEN | 2 | ||
MSCY517 : SEMINAR IN THAI FOLK MUSIC | 2 | ||
MSJA507 : JAZZ PEDAGOGY I | 2 | ||
MSJA508 : JAZZ PEDAGOGY II | 2 | ||
MSJA510 : SURVEY OF JAZZ INSTRUMENTAL TECHNIQUES | 2 | ||
MSMS504 : SEMINAR IN MUSIC | 2 | ||
MSMS505 : SPECIAL TOPIC I | 2 | ||
MSMS506 : SPECIAL TOPIC II | 2 | ||
MSMS507 : INDIVIDUAL STUDY I | 2 | ||
MSMS513 : MINOR PERFORMANCE I | 2 | ||
MSMS516 : SMALL ENSEMBLE I | 2 | ||
MSMS517 : SMALL ENSEMBLE II | 2 | ||
MSMS518 : SMALL ENSEMBLE III | 2 | ||
MSMS519 : LARGE ENSEMBLE I | 2 | ||
MSMS520 : LARGE ENSEMBLE II | 2 | ||
MSMS521 : LARGE ENSEMBLE III | 2 | ||
MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
MSMS528 : PERFORMANCE PEDAGOGY II | 2 | ||
MSMS584 : MINOR PERFORMANCE II | 2 | ||
MSMS587 : MINOR PERFORMANCE III | 2 | ||
MSTC509 : LITERATURE READINGS IN MUSIC THEORY | 2 | ||
MSTC510 : MUSIC THEORY PEDAGOGY I | 2 | ||
MSTC512 : ATONAL ANALYSIS AND SET THEORY ANALYSIS | 2 | ||
MSTC516 : TWENTIETH CENTURY ORCHESTRATION | 2 | ||
MSTC519 : ANALYTICAL MUSIC THEORY | 2 | ||
MSTC522 : SEMINAR IN MUSIC THEORY | 2 | ||
MSTC523 : SEMINAR IN MUSIC COMPOSITION | 2 | ||
MSTH515 : THAI STRING ENSEMBLE PEDAGOGY I | 2 | ||
MSTH516 : THAI STRING ENSEMBLE PEDAGOGY II | 2 | ||
MSTH517 : THAI FOLK MUSIC PEDAGOGY I | 2 | ||
MSTH518 : THAI FOLK MUSIC PEDAGOGY II | 2 | ||
MSTH519 : THAI FOLK MUSIC ENSEMBLE ARRANGEMENT | 2 | ||
MSTR501 : MUSIC AND THEATER I | 2 | ||
MSTR502 : MUSIC AND THEATER II | 2 | ||
MUSIC HISTORY GROUP | |||
MSCY507 : SEMINAR IN MUSIC OF THAILAND | 2 | ||
MSCY511 : EARLY MUSIC | 2 | ||
MSCY512 : COMMON PRACTICE PERIOD MUSIC | 2 | ||
MSCY513 : 20TH AND 21ST CENTURY MUSIC | 2 | ||
MSCY514 : MUSIC HISTORY AND CRITICISM | 2 | ||
MSCY516 : CONTEMPORARY THAI MUSIC | 2 | ||
MSJA505 : ADVANCED JAZZ LITERATURE | 2 | ||
MSMS592 : CHAMBER MUSIC LITERATURE I | 2 | ||
MSMS612 : CHAMBER MUSIC LITERATURE II | 2 | ||
MSTH506 : SEMINAR IN RELIGIOUS AND CEREMONIAL MUSIC | 2 | ||
MSTH513 : HISTORY AND LITERATURE OF THAI TRADITIONAL MUSIC | 2 | ||
MSTH514 : RELATIONS BETWEEN THAI TRADITIONAL MUSIC AND MEKONG RIVER BASIN CULTURES | 2 | ||
MSVO506 : OPERA LITERATURE | 2 | ||
MUSIC THEORY GROUP | |||
MSJA504 : JAZZ STYLES AND ANALYSIS | 2 | ||
MSTC507 : ANALYSIS OF TWENTIETH CENTURY MUSIC | 2 | ||
MSTC513 : HISTORY OF MUSIC THEORY | 2 | ||
MSTC514 : COUNTERPOINT | 2 | ||
MSTC526 : SEMINAR IN 20TH AND 21ST CENTURY MUSIC COMPOSITION AND THEORY | 2 | ||
MSTC532 : ELEMENTS OF SONATA THEORY | 2 | ||
MSTH502 : MELODIC VARIATION IN THAI MUSIC | 2 | ||
MSTH503 : THAI MUSIC ANALYSIS | 2 | ||
Thematic Paper | Credit | ||
MSMS697 : MASTER'S RECITAL PROJECT | 6 |
Programme Lecturer
- LECTURER AMPAI BURANAPRAPUK (PROGRAMME DIRECTOR)
- LECTURER TANARAT CHAICHANA
- ASSISTANT PROFESSOR DHANYAPORN PHOTHIKAWIN
- ASSISTANT PROFESSOR PREEYANUN PROMSUKKUL
- ASSISTANT PROFESSOR ANAK CHARANYANANDA
- ASSOCIATE PROFESSOR ERI NAKAGAWA
- ASSISTANT PROFESSOR JOSEPH L. BOWMAN
- ASSISTANT PROFESSOR KYLE FYR
- ASSISTANT PROFESSOR NI-ON TAYRATTANACHAI
- ASSISTANT PROFESSOR NACHAYA NATCHANAWAKUL
- LECTURER RATTANAI BAMPENYOU
- LECTURER KOM WONGSAWAT
- LECTURER WISUWAT PRUKSAVANICH